2023年度の展覧会
日本美術の名品－和泉の文化財とともに－
2023年4月9日（日）～6月4日（日）
本年度の特別陳列は、当館が所蔵する絵画、書、工芸品から日本美術の名品をご覧いただきます。平安時代の書、鎌倉時代の絵巻、室町時代の水墨画、桃山時代の陶磁器など、その時代の美を見せてくれる作品を陳列し、日本美術の魅力に触れていただく展覧会です。国宝「歌仙歌合」、重要文化財「枯木鳴鵙図」をはじめ当館を代表する作品をこの機会にご鑑賞ください。
また、本展覧会では地元所縁の文化財をあわせて公開いたします。本市に所在する泉州 松尾寺が所蔵する経巻、仏画などの仏教美術や槇尾山経塚から出土した青銅鏡や陶磁器など、和泉の貴重な文化財を紹介いたします。
※本展覧会は、会期中展示替えを行います。
東海道名所風景－浮世絵に見る将軍様の御上洛－
2023年6月25日（日）～8月20日（日）
2023年は徳川幕府第14代将軍徳川家茂が文久3年（1863）に京都へ上洛して160年の節目となる年です。本展覧会では家茂の上洛を庶民に伝えた「東海道名所風景」158枚を前期後期にわけて全作品を展示します。本作は三代歌川豊国を筆頭に月岡芳年や落合芳幾、河鍋暁斎（周麿）など歌川派の絵師たちが将軍の御上洛を機に制作したもので、名所絵でありながら報道性も高いシリーズです。子どもむけのキャプションを併置して、浮世絵の楽しみ方や見所などを簡潔に記し、家族で楽しめる展覧会とします。
宗達－物語の風景 源氏・伊勢・西行－
2023年9月17日（日）～11月12日（日）
江戸時代初期に京都で活躍した俵屋宗達を対象とする展覧会を開催します。俵屋宗達は、土佐光吉が京都から戦乱を避けて堺で絵画制作をおこなっていた時に京都で庶民から貴族までを対象に絵画を制作しました。土佐派が得意とした源氏物語を描く源氏絵において、土佐派とはことなる表現が見られ、近世のやまと絵を考える上で重要な流派のひとつと言えます。俵屋宗達と宗達が主宰した宗達工房による源氏物語、伊勢物語など物語絵を中心に国内博物館施設、個人コレクターから作品を拝借しご覧いただく機会とします。
Illustrated scenes from the “Horserace” chapter of the Eiga Monogatari (Important cultural property), Kamakura period
Japanese Art Masterpieces and Cultural Properties of Izumi
April 9 (Sun.), 2023 – June 4 (Sun.)
Our special display this year will comprise Japanese masterpiece paintings, calligraphy and craftworks from our museum collection, all featuring the beauty of each era: calligraphy from the Heian Period, picture scrolls from the Kamakura Period, ink paintings from the Muromachi Period, and ceramics from the Momoyama Period. Some of them are truly famous pieces, including the National Treasure, Kasen Uta-awase (A Competition comparing coupled poems by Poetic Immortals) and the Important Cultural Property, Koboku meigekizu (Shrike in Barren Tree) drawn by Miyamoto Musashi.
This display also includes a number of Izumi’s valuable cultural properties, such as sutra scrolls and Buddhism paintings from Senshu-Matsuoji Temple, along with bronze mirrors and ceramics excavated from the sutra mound at Mt. Makio.
*There will be changes to displayed items over the course of the exhibition.
Main Display Items
A Competition comparing coupled poems by Poetic Immortals (National Treasure), Heian period
Illustrated scenes from the “Horserace” chapter of the Eiga Monogatari (Important cultural property), Kamakura period
Shrike in Barren Tree (Important cultural property) by Miyamoto Musashi, Edo period
Bronze square mirror with design of Horai (Important cultural property), Muromachi period
Teabowl, Karatsu ware, known as “Sambo” (Three treasures) (Important cultural property), Momoyama period
Peacock Sutra Mandala (Important cultural property), on loan from Senshu-Matsuoji Temple, Kamakura period
Sixteen Arhats, on loan from Nokecho Town Council, Nanbokucho period
Sixteen Arhats, on loan from Mancho Town Council, Muromachi period
Silver plated bronze calligraphy water dropper with butterfly, bird, plant and flower design (Cultural Property designated by Izumi City), excavated from the sutra mound at Mt. Makio, on loan from Izumi City Board of Education, Heian period
Kanbara, Tokaido Meisho Fukei by Utagawa Hiroshige II
Scenes of Famous Places on the Tokaido Road—Shogun’s Trip to Kyoto in Ukiyoe Paintings
June 25 (Sun.), 2023 – August 20 (Sun.)
The year 2023 marks the 160th anniversary of when the 14th Shogun of the Tokugawa government, Tokugawa Iemochi, traveled to Kyoto in 1863. During this year, our museum will exhibit all 158 pieces of the Tokaido Meisho Fukei (Scenes of Famous Places on the Tokaido Road), which depicted the Shogun’s Kyoto trip for common people, over two periods. This series of painted scenes, acting much like a set of illustrated journals, was created by ukiyoe painters of the Utagawa School, including Utagawa Toyokuni III, Tsukioka Yoshitoshi, Ochiai Yoshiiku, and Kawanabe Kyosai (Chikamaro). We will present this exhibition in a family-friendly way, with captions accompanying exhibits that will explain key points and the way to enjoy ukiyoe with children in mind.
Main Display Items
Yuigahama, Tokaido Meisho Fukei by Tsukioka Yoshitoshi, May (1863)
Numazu, Tokaido Meisho Fukei by Utagawa Toyokuni III, April (1863)
Abekawa, Tokaido Meisho Fukei by Utagawa Yoshitora, May (1863)
Okazaki, Tokaido Meisho Fukei by Chikamaro, April (1863)
Tenryugawa, Tokaido Meisho Fukei by Toyohara Kunichika, April (1863)
Shimabara, Tokaido Meisho Fukei by Ochiai Yoshiiku, May (1863)
Matsukaze, Scenes from the Tale of Genji by Tawaraya Sotatsu
Sotatsu—Scenes from Genji, Ise, and Saigyo Tales
September 17 (Sun.), 2023 – November 12 (Sun.)
This special display will feature the work of Tawaraya Sotatsu, a painter of some note in Kyoto who was active during the early Edo Period. Sotatsu set about illustrating a variety of individuals from common people to aristocrats in Kyoto when another popular artist, Tosa Mitsuyoshi, began producing paintings following his evacuation from Kyoto to Sakai due to the turmoil brought about by war. Although pictures depicting The Tale of Genji were known to be the specialty of the artists of the Tosa School, Sotatsu also left a number of paintings depicting this tale in his own style, somewhat different from that of Tosa. He was the founder of the Sotatsu School, which was one of the most important schools in the Japanese art scene during the Edo Period. We will exhibit his work on stories, as well as other works from his studio, Sotatsu Kobo, including the tales of Genji and Ise, many of which have been loaned from some national museums in Japan as well as private collections.
Main Display Items
Water Fowl in the Lotus Pond (National Treasure) by Tawaraya Sotatsu, Kyoto National Museum, Edo period
Scene from the Gatehouse (Sekiya) Chapter of The Tale of Genji (Important cultural property) by Tawaraya Sotatsu, Tokyo National Museum, Edo period
Screen with Scattered Fans (Important cultural property) by Tawaraya Sotatsu, on loan from Daigoji Temple, Edo period
Remains of Screen with Scenes from the Tale of Genji (Kiritsubo) by Tawaraya Sotatsu, Idemitsu Museum, Edo period
Yokobue (Flute), Scenes from the Tale of Genji by Tawaraya Sotatsu, Kuboso Memorial Museum of Arts, Izumi, Edo period
Scene from the 7th Chapter (Kaeru Nami) of the Tale of Ise by Tawaraya Sotatsu, Kyushu National Museum, Edo period